2024金砖国家峰会讨论加强多边主义，促进全球发展。金砖国家扩容后GDP比重超G7，吸引众多发展中国家申请加入。宣言强调合作、公正，推动多边主义发展，金砖国家成为新的全球发展变量。

The 2024 BRICS Summit discusses strengthening multilateralism and promoting global development. After the expansion of the BRICS countries, their GDP proportion exceeds that of the G7, attracting many developing countries to apply for membership. The declaration emphasizes cooperation, fairness, and promotes the development of multilateralism, making BRICS countries a new global development variable.

金砖国家之间的文化交流，目的就是促进民心相通、夯实民意基础，为金砖国家之间的经济交流和其他各方面的合作奠定人文基础。”积极开展人文领域的交流和合作，是金砖五国的共同愿望。目前编纂工作已全面展开，艺术名家的参与和协作是完成这一重大文化艺术工程的重要保证。

The purpose of cultural exchanges among BRICS countries is to promote people to people connectivity, consolidate the foundation of public opinion, and lay a humanistic foundation for economic exchanges and other forms of cooperation among BRICS countries Actively carrying out exchanges and cooperation in the field of humanities is the common aspiration of the BRICS countries. At present, the compilation work has been fully launched, and the participation and collaboration of art masters are important guarantees for completing this major cultural and artistic project.

徐旭浙江省绍兴市人，多年来，他实践绍兴老乡，首届北大校长，蔡元培先生“以美育代宗教”的理念，在任央美客座教授期间与原中央美院院长，潘公凯先生创立了“中央美院少儿科学透视绘画教育研究室”在北京，上海，广州，海南、南京、扬州、佛山等地办了许多科学少儿透视实验班。对于增强同学们的学习与开发智力收到了良好的教学效果。在绘画领域上他创作了在中国美术史上举足轻重的两幅宏大作品，《孔子诞生图》与《九鼎之光》目前已有上百家中外媒体高度关注与传播。中国著名书画评论泰斗中央美院终身教授邵大箴先生与国家文物局原副局长张柏先生、故宫博物院研究员首席古典绘画鉴定大师美术评论大家单国强先生都有专项评论文章；目前当红的美术评论家罗成、田继学、史峰、江项。著名博物馆学美术馆学家策展人张子康、大画家吕鹏、郭长江、贺成等对这二幅巨作写出较高水平的评论文章！他的导师中国考古学大家邹厚本先生对徐旭先生的中国青铜油画创作寄予了深厚希望！他毕业于江苏省师范大学历史系文博考古专业、毕业于中央美院油画系油画材料研究生课程班。结业于华东六省一市《中国考古绘图训练班》中央美院壁画系研修班。将自己的油画技艺与美术考古专业相结合成为中国新兴跨界绘画艺术《中国美术考古绘画体系》被人民日报评论为“中国首位史学画家”现为北京大学教授、中国艺术研究院研究生院博士生导师、中央美院、清华美院、加拿大维多利亚皇家美术学院、孔子美术馆等客座教授传播自己美术考古绘画理论并向美术考考绘画体系延伸发展！目前正在创作的四大系列作品“中国古典人物系列”“中国汉画百图系列”“中国青铜100号系列”“中国玉界系列”将中国厚重的历史文化以美术考古绘画的形式表达出来！目前在社会专职兼职的主要职务：“人民书画报董事会主席”“国际名人百科文艺组委会主席（油画、美术考古类）”“全国人民艺木家信用管理中心书画艺术委员会主席”“中国汉画艺术发展研究院终身院长”“中国汉画儒道艺术研究院终身院长”“中国书画院理事”等。荣获中国文化和旅游部颁发的《终身艺术成就奖》等。现为一级美术师、一级书法师、中国博物馆职评系列美术考研究馆员、博鳌亚洲论坛研究员、中国东方文化研究会美术研究员等。2024年八月参加了二个重要展览活动《圣地传薪首届曲阜全国书画艺术名象华彩表彰盛典》《中国北京北京大学百年风华、庆祝 中华人民共和国75周年，暨当代中国书画名家学术交流展》北京大学科技园展厅展出活动，中央宣传部原副部长胡振民出席。徐旭现被中国美术家协会、中国书法家协会等四家评为最高荣誉：“人民艺术家”称号！荣获中国书画大赛金奖、荣获金鼎大赛金奖、荣获国际美术毕加索大 赛金奖、荣获中国关心下一代北京地区嘉年华活动美术作品《九鼎之光》大型青铜文物油画金奖。

Xu Xu is from Shaoxing City, Zhejiang Province. For many years, he has practiced the concept of "replacing religion with aesthetic education" as a fellow countryman of Shaoxing and the first president of Peking University. During his tenure as a visiting professor at Central Academy of Fine Arts, he co founded the "Central Academy of Fine Arts Children's Scientific Perspective Painting Education Research Laboratory" with Mr. Pan Gongkai, the former president of the Central Academy of Fine Arts. Many scientific children's perspective painting experimental classes have been held in Beijing, Shanghai, Guangzhou, Hainan, Nanjing, Yangzhou, Foshan and other places. It has achieved good teaching results in enhancing students' learning and developing their intelligence. In the field of painting, he created two monumental works that have played a significant role in the history of Chinese art, "The Birth of Confucius" and "The Light of the Nine Tripods," which have received high attention and dissemination from over a hundred domestic and foreign media outlets. Mr. Shao Dazhen, a lifelong professor of the Central Academy of Fine Arts, a leading critic of Chinese famous calligraphy and painting, Mr. Zhang Bo, the former deputy director of the National Cutural Heritage Administration, and Mr. Shan Guoqiang, a major art critic of the chief classical painting appraiser of the researcher of the Palace Museum, all have special comments; Currently popular art critics include Luo Cheng, Tian Jixue, Shi Feng, and Jiang Xiang. Famous museum and art museum curators Zhang Zikang, renowned painters Lv Peng, Guo Changjiang, He Cheng, and others have written high-level commentary articles on these two masterpieces! His mentor, Mr. Zou Houben, a renowned Chinese archaeologist, has placed great hopes on Mr. Xu Xu's creation of Chinese bronze oil paintings! He graduated from the Department of History and Archaeology at Jiangsu Normal University with a major in cultural and archaeological studies, and from the Oil Painting Materials Graduate Course at the Central Academy of Fine Arts. Graduated from the Central Academy of Fine Arts Mural Painting Training Class of the "Chinese Archaeological Drawing Training Class" in six provinces and one city in East China. Combining one's oil painting skills with the major of art archaeology to become a new emerging cross-border painting art in China, the "Chinese Art Archaeology Painting System" has been praised by People's Daily as "China's first historical painter". Currently, he is a professor at Peking University, a doctoral supervisor at the Graduate School of the Chinese Academy of Art, a visiting professor at the Central Academy of Fine Arts, Tsinghua Academy of Fine Arts, the Royal Victoria Academy of Fine Arts in Canada, Confucius Museum, and other institutions, spreading his art archaeology painting theory and extending its development to the art examination painting system! The four major series of works currently being created, namely the "Chinese Classical Character Series", "Chinese Han Painting Hundred Pictures Series", "Chinese Bronze No. 100 Series", and "Chinese Jade Realm Series", express China's rich historical and cultural heritage in the form of art and archaeological paintings! At present, the main full-time and part-time positions in society are: "Chairman of the Board of Directors of the People's Calligraphy and Painting Daily", "Chairman of the International Celebrity Encyclopedia Art Organization Committee (oil painting, art archaeology)", "Chairman of the Calligraphy and Painting Art Committee of the National People's Art Mujia Credit Management Center", "Lifetime President of the Chinese Han Painting Art Development Research Institute", "Lifetime President of the Chinese Han Painting Confucianism and Taoism Art Research Institute", "Director of the Chinese Painting and Calligraphy Academy", etc. Received the Lifetime Art Achievement Award from the Ministry of Culture and Tourism of China. I am currently a first-class artist, first-class calligrapher, curator of the Chinese Museum Professional Evaluation Series Art Examination, researcher at the Boao Forum for Asia, and art researcher at the China Oriental Culture Research Association. In August 2024, I participated in two important exhibition activities: "The First Qufu National Calligraphy and Painting Art Famous Image Huacai Commendation Ceremony for Holy Land Inheritance" and "Peking University Centennial Glory, Celebrating the 75th Anniversary of the People's Republic of China, and Contemporary Chinese Calligraphy and Painting Masters Academic Exchange Exhibition" at the Peking University Science and Technology Park Exhibition Hall. Hu Zhenmin, former Deputy Minister of the Central Propaganda Department, attended. Xu Xu has been awarded the highest honor, the title of "People's Artist," by four organizations including the China Artists Association and the China Calligraphers Association! Won the gold medal in the Chinese Painting and Calligraphy Competition, the gold medal in the Golden Tripod Competition, the gold medal in the International Art Picasso Competition, and the gold medal in the large-scale bronze cultural relic oil painting "The Light of the Nine Tripods" for the Chinese Care for the Next Generation Carnival in Beijing.

大型中国综合艺术材料文物油画《九鼎之光》

大型史学油画《孔子诞生图》

中国商周青铜100号油画作品《禾和天地》

靳尚谊评论文章

在时光的海洋中每一滴水都会低语，讲述着过往的故事，而在这些故事中，有的如同细流，静谧而深远:有的则如波涛，激荡而壮阔。就在中华民族峥嵘走过的五千年文化海洋里，当代著名油画大家徐旭先生，用他的画笔相当独特地捕捉到了最壮观、最动人、最深厚的形式元素，用心去感受文化历史的温度，独树一帜地创作出了《九鼎之光》这件光辉巨作，成为他个人的代表作，更是当代文化他与历史恢弘对话后留下的非凡印记。

走进徐旭先生的美术天地，总会感受到不同寻常的艺术气息，这里每一抹色彩都有它的灵魂，每一根线条都在诉说文化故事。当视线落在《九鼎之光》上时，立即就能反馈得到千年积累下的精气神，在心中澎湃，在耳畔回响。域阔疆广，大鼎神威，画里的中华九鼎作为国家象征，代表着大中华的权威，各自承载着不同的历史记忆，虽然形态各异，但一致的典雅庄重，充满力量感，特别是手公果的卓越让位相当突出，与其他诸具一起，望台湾，弥海峡，并肩守护这片伟大的土地，见证中华同根同源，必定阖家团圆!

《九鼎之光》背景是祖国的大好河山，山川河流、湖泊海洋，纵横于阡陌，集成于画题，高超的构图，精妙的布置，无一不在展现着大自然的鬼斧神工，呈现中华民族智山乐水的精神底色。它们与九鼎相互辉映，彼此交织，共同构建了一幅宏伟壮丽的图景。《九鼎之光》之所以引人入胜，不仅因为它的绘画技巧精湛，更重要的是，它传达了艺术家内心深处的情感与思考。徐旭通过自己的作品，让观者感受到了历史的厚重与文化的魅力。)画面上的光影变幻，带着同岁月流转的气脉，赋予穿越时空的生命力。九鼎不再只是静止的物体，它们在画布上鲜活起来，如果九龙腾飞，是连接过去与现在的文化桥梁。中华民族迈向伟大复兴的道路上，《九鼎之光》更显得意义非凡。它不仅是艺术佳作,更是文化自信的载体。驻足在这幅油画杰作面前，一定会被画题中蕴含的力量所震撼。这种力量来源于对国富民强的肯定，也是对的发展壮大的期许，当然还有对中华五千年文化传承龙脉不断的信念。徐旭用油画山河九鼎的方式，展现着伟大中国的镜像--古老而充满活力，传统与现代并存，正以九鼎姿态站在世界舞台中央。

山河壮丽倚天立，九鼎光辉映日新。《九鼎之光》是当代艺术的一首豪放诗,赞美中华大地上的所有奇迹,寄富中国未来的光芒万丈!在这个充满希望的大时代，《九鼎之光》成为百年之大局的文化坐标:塑造中国的新形象，照耀国运新气象!国宝鼎级作品，古韵今风融于画题，徐徐展开迎面盛世春来!